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Rating: PG (Some Adventure Action)
Genre: Adventure, Children & Family, Animation
Original language: English
Directed by Elaine Bogan
Producer: Karen Foster
Author: Aury Wallington, Kristin Hahn
Release date (theaters): June 4, 2021 Wide
Box Office (US gross): $ 6.2 million
Duration: 1h 28m
Production company: DreamWorks Animation
Sound mix: Dolby Atmos, Dolby Digital, DTS
Aspect ratio: area (2.35: 1)
Spirit Untamed is a DreamWorks Animation release and the sequel to the nearly 20-year-old 2002 movie Spirit: Stallion of the Cimarron. It’s also more of a direct adaptation of Spirit Riding Free, an ongoing Netflix animated series. It arrives in theaters with minimal buzz and advertising. And it’s unexpectedly delightful. The film was directed by Elaine Bogan and directed by Ennio Torresan Jr. and remotely produced during the pandemic. It tells the story of a teenage girl who befriends a wild horse, reconnects with her father, and finally grapples with her mother’s long-past death.
Original subject for a major animated film, it certainly isn’t. But the filmmakers make the most of it, with nice animation, some exciting action sequences, and contributions from a strong group of voice actors.
Spirit Untamed is set on the American border in the 19th century, although all place names are fictitious. It’s the story of Lucky (voiced by Isabela Merced), the daughter of a famous rodeo performer (Eiza González), who died right before her eyes in her youth. Since then, having grown up privileged as the granddaughter of a robber baron / candidate for governor, Lucky is sent to her long-estranged father (voiced by Jake Gyllenhaal), who lives just a few steps away from a horse stable. The overqualified cast also includes Julianne Moore as Lucky’s aunt and Andre Braugher as the owner of the horse corral.
Lucky befriends the title horse and, along with new friends (Marsai Martin and Mckenna Grace), embarks on an exciting adventure to save Spirit and his family from villainous horse fighters (led by Walton Goggins) — a plot point with subtle allegorical resemblances to Trump-era family separation policy. A movie like this is not going to work if we don’t take care of this girl, her horse, and her friendship, and it manages to do that even though the horse cannot speak in this universe.
It’s creatively not up to the level of Pixar’s 2020 one-two punch of Onward and Soul, and it will be followed by this year’s Pixar entry, the Disney + exclusive Luca. But it’s a surprisingly powerful animated entry from DreamWorks Animation.
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If there is a prospective student who is looking for a topic for a sociology work, a comparison and contrast to the original “Spirit: Stallion of the Cimarron” published in 2002 and “Spirit Untamed” from 2021 with references to “Spirit Riding Free”. Series on Netflix. The original film was hand drawn and the new version is computer animated like the series. But the gap between the two films allows clear indications of cultural and technological changes.
The original film centered on the title character, a wild horse captured by cowboys but searching for freedom. He was voiced by Matt Damon. This film, like the Netflix series, is more of a spin-off than a sequel with another wild horse named Spirit, but the only characters speaking are the people.
In the mid-19th century, a little girl named Lucky (Fortuna to her Spanish-speaking mother Milagro Navarro, lovingly spoken by Eiza González) is sent to the big city to live with her strict grandfather, a politician who insists that family come first. Her mother died in a riding accident and her sad father cannot look after her.
Ten years later, the animal-loving Lucky (voiced by Isabela Merced) succeeds in disrupting the important political appearance of her grandfather, and so she and her aunt Cora (Julianne Moore) are packed into the West, where Lucky’s father Jim (Jake Gyllenhaal) helps in the construction of the railroad. Lucky and her father haven’t seen each other in a decade, but they clumsily get to know each other until he discovers she has ridden and forbids her to go near a horse. The memories of the loss of Lucky’s mother are still too painful.
But Lucky has found Spirit, like the one in the original film, a wild horse that is supposed to be captured by cowboys and “broken”. Lucky patiently allows Spirit to be comfortable with her. And nothing Jim says can keep them from Spirit. She feels that they understand each other.
When Lucky learns that Spirit’s family (his flock) are about to be captured and sold by evil outlaws, she decides to rescue them with the help of her new friends Pru (Marsai Martin from “Black-ish”) and Abigail (McKenna Grace.) ). To get there in time, their horses have to ride a treacherous path. But “Prescotts never give up” and Lucky is brave.
This is the best part of the movie as the girls face all kinds of dangers with courage, loyalty and good humor. “I rode a horse!” Happy crows. “Around here we call it holding on for life,” replies one of her friends dryly. Co-writer / co-director Elaine Bogan has an astute understanding of the vital importance of P-A-L friendship (the girls’ initials). While parents want to remind their children that no one should leave home without telling the family where they are going, and “never giving up” does not mean taking inappropriate risks, this is a heartwarming story of human and horse humility and loyalty and a tribute to the wild spirit in both species who seeks adventure and corrects injustice.
Parents should know that this film involves dangers, cruel treatment of animals, very risky behavior by young girls and the death of a parent off-screen.
Cats are said to have nine lives. But how about animated horses? In the case of the gold-coated Kiger Mustang Spirit, there have been many reincarnations since the Charger debuted in “Spirit: Stallion of Cimarron” in 2002. Abandoned for dead after that Oscar-nominated pen-and-ink deal (voiced by Matt Damon) ripped off for a meager (by animation standards) $ 122 million at the box office, it galloped towards the glue factory Netflix by 2017 Stud reinvented as an emotional support animal for a motherless 12-year-old girl who was transplanted from the city into a tiny dust hole in the southwest.
Now the “Spirit Riding Free” series has closed the Mustang circle by making him a movie star again in Dreamworks’ “Spirit Untamed”. And what a ride it offers, both for the aforementioned girl Lucky, the granddaughter of a Vanderbilt-like railroad magnate, and for a herd of moviegoers who are hungry for an animated story that is not weighed down by strained pop culture references and scatological humor . Undoubtedly “Untamed” plays by playing straight ahead, but it is largely thanks to its spectacular western-themed artwork and script by Aury Wallington (“Spirit Riding Free: The Spirit of Christmas”) and Kristen Hahn (“Stargirl”) a winner who — intentionally or not — serves as a moving metaphor for slavery and human trafficking. Yes, these are wild horses that are herded together, shoved into railcars before being shipped by boat to places they definitely don’t want to visit. But, with a little empathy and imagination, you can grasp the disturbing analogy in a tangible way for children too young to fully grasp the concept of the heartless theft of freedom.
Maybe I’m just reading too much in Untamed, but it’s there if you’re looking for it. Even if you don’t, it’s worth a lot, especially if you’re a little girl looking for a rebellious role model like Lucky, aka Fortunate Prescott, a 12 year old horse lover with a savage streak 20 hands big. Affectionately voiced by Isabela Merced (“Transformers: The Last Knight”), Lucky is an instantly personable goblin who isn’t afraid to be proactive and stubborn, much to the frustration of her emotionally stunted father Jim (Jake Gyllenhaal) and squeamish aunt Cora (Julianne Moore). It is hardly the model of sophistication that they want.
If you’re a fan of the Netflix series, patience is required as Untamed begins by largely repeating the series’ opening events, with Cora escorting Lucky by train (around the 1880s) from the west to tiny Mirandero. There she will start a new life away from the filthy rich grandparent brothers who have raised her since her mother, an acrobatic rider, was thrown from her trick horse. In contrast to the Netflix series, Jim was re-introduced as a withdrawn widower, cut off from both the family’s railroad business and the business of raising his daughter.
This will be the first time he has seen Lucky in the 10 years since the tragedy, and he has quite a bit to do. Like a cowpoke version of Dickens’ Miss Havisham, he has spent years feeling sorry for himself. Just replace the moldy wedding cake with a strange fascination with strawberries. They’re everywhere — on the wallpaper, the bedspread, whatever. The animators, led by first feature film director Elaine Bogan, prove it to create a recurring motif that in the end seems too superfluous to deserve such prominence, but that’s a triviality. The far tastier treat is the exuberant, mane-uplifting way they enliven Spirit and his joy of running in the wild alongside his large contingent of equally independent pals. It is as exciting as it is moving to see how the girl and horse gradually connect.
Dad and Cora disagree, of course. They foresee that she will suffer the same fate as her mother, even getting close to a horse. We know better, however, which adds a little too much predictability to a story that thrives more on its adventurous spirit than its pursuit of the inevitable sentimentality. The source of much of this sense of danger and excitement is a double-faced horse wrestler named Hendrix (“Justifieds” Walter Goggins). He and his crew view Spirit and his herd as a ride to riches, while Lucky and her two new beasts Abigail (Mckenna Grace) and Pru (Marsai Martin) view him as a wild beast that must be saved from evil personified. How they save the day will bring nightmares to parents. But kids will be amazed at the moxie of three brave teenage girls who do it for themselves, albeit quite ruthlessly.